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Notes
01
NamcoKatamari Damacy(2004)
02
Mackay, Robin, and Armen Avanessian, eds. #ACCELERATE: The Accelerationist Reader.Falmouth: Urbanomic; 2014. p.4
03
Kittler, Friedrich. Gramophone, Film, Typewriter. Standford: Standford University Press; 1999. p.210
04
For a brief overview, read PetaPixel’s coverage on this subject
05
Of course algorithmic racial bias is not unique to whiteness and privileges different bodies depending on the country they are developed in.
06
Attali, JacquesNoise The Political Economy of Music. Minnesota: Minnesota University Press; 2009. p.94
07
Maguire, Ryan, The Ghost in The MP3 In:Proceedings ICMC|SMC|2014. Athens: 2014. p.243
16
Coined by Eli Pariser in his 2011 book The Filter Bubble. He explains it clearly in a TED talk: https://www.ted.com/talks/eli_pariser_beware_online_filter_bubbles
18
Chun W.Crisis + Habit = Update [Lecture] Sonic Acts Festival — The Noise Of Being. 25th February 2017.
19
Halberstam, Judith.The Queer Art of Failure. Durham: Duke University Press; 201.p.22
20
In reference to Reynolds’Rip it up and Start Again: Postpunk 1978-1984(2005)
21
The term “creative destruction” as developed in economist Joseph Schumpeter’sCapitalism, Socialism and Democracy(1942).
22
Christian Marclay,Record Without a Cover(1985)
23
William Basinski, Disintegration Loops(2002-2003)
24
Yasunao Tone,Solo for Wounded CD(1997)
25
Ryan Maguire,The Ghost in The MP3
28
Fuller, Matthew(eds)Software Studies: A Lexicon. Cambridge: MIT Press; 2008
29
Acierto,Alejandro TDisrupting Legacies of Racialization: Mixed race subjects, glitch, noise, and the voice, p.18. Avaliable from:http://www.academia.edu/9918809/Disrupting_Legacies_of_Racialization_Mixed_race_subjects_glitch_noise_and_the_voice
30
Alejandro T. AciertoSounding Legacies(2014)
31
Acierto,Alejandro TSDisrupting Legacies of Racialization: Mixed race subjects, glitch, noise, and the voice, p.4. Avaliable from:http://www.academia.edu/9918809/Disrupting_Legacies_of_Racialization_Mixed_race_subjects_glitch_noise_and_the_voice
32
Acierto,Alejandro TSDisrupting Legacies of Racialization: Mixed race subjects, glitch, noise, and the voice, p.6. Avaliable from:http://www.academia.edu/9918809/Disrupting_Legacies_of_Racialization_Mixed_race_subjects_glitch_noise_and_the_voice
34
Joseph Davis,Yesterduh(2006)
35
The Beatles,Yesterday(1965)
36
Christine Schorkhuber and Alfred Grubbauer,Stille Post(2008)
37
Sophie Calle,Take Care of Yourself(2017)
38
Betty Apple (Cheng Yi Ping), 超脫國歌 教學版 Cha twat gringo(2014)
39
This particular bill was printed in commemoration of the 100th anniversary of the founding of the Republic of China by Kuo Min Tang leader Sun Yat-Sen. The accompanying soundtrack in this part of Betty Apple’s video is a remix of the centenary recording of the national anthem.
40
Oliver Laric Versions(2009)
41
Steyerl, Hito.A Tank On a Pedestal: Museums in an age of planetary civil warE-flux. 2016. Avialable from: http://www.e-flux.com/journal/70/60543/a-tank-on-a-pedestal-museums-in-an-age-of-planetary-civil-war/
42
Kenyatta A.C. Hinkle,The Uninvited(2008-)
43
Athi-Patra Ruga, Future White Women of Azania(2013)
44
Destiny Deacon,Eva Johnson, writer 1994(2013)
45
The name Azania was originally given to a large stretch of Southeast Africa. Since Apartheid, Azania has been used by several black liberation groups to refer to South Africa. It is still a highly contentious name today.
47
Marisa Williamson,What Would Sally Do?(2013)
48
Brown, Will.Marissa Williamson: ‘I want to make history alive in people’s worlds.’ Studio International. 13th March 2015
49
Marisa Williamson,Sally and Monica’s Hot Tub Hang out(2014)
50
Marisa Williamson,Hemings and Hawings(2015)
51
Jacolby Satterwhite,Reifying Desire(2011-2014)
ERASING/FORGETTING
  • Acierto, Alejandro T. Sounding Legacies. 2014. Performance/Installation
  • Acierto, Alejandro T.Disrupting Legacies of Racialization: Mixed race subjects, glitch, noise, and the voice. 2014
  • Basinski, William. Disintegration Loops. 2002.
  • Borsuk, Amaranth et. al. The Deletionist. http://thedeletionist.com/. 2013. Javascript bookmarklet.
  • Broodthaers, Marcel. La Pluie. Centre Pompidou. 2010. Performance
  • Chung, Jay. Nothing Is More Practical Than Idealism. 2001. Film.
  • Didkovsky, Nick. Zero Waste. 2012.
  • Dong, Song. Waste Not. 2005. Installation.
  • Dong, Song. Writing Diary With Water. 1995. Performance.
  • Fludd, Robert. Et sic ad infinitum! 1619. Illustration.
  • Foer, Jonathan Safran. Tree of Codes. London: Visual Editions 2010. Print.
  • Kelley, Mike. Educational Complex. 1995.
  • Kleon, Austin. Newspaper Blackout Poems. New York: Harper 2010. Print.
  • Lamouroux, Vincent. Projection. Sunset Blvd. Los Angeles. 2016. Installation.
  • Lee, Mingwei. Guernica in Sand. 2007. Sand installation.
  • Li, Ji and Cory Forsyth. Wordless Web. 2012. Javascript bookmarklet.
  • Lucier, Alvin. I Am Sitting In a Room. 1981.
  • Maguire, Ryan. Ghost in the mp3. 2014.
  • Marclay, Christian. Record Without a Cover. Recycled Records, 1985. Vinyl, LP.
  • Neustein, Joshua. Erasures. 1971-1973. Film.
  • Norris, TJ. No Sign. 2008-2013. Photography.
  • Ono, Yoko. Play it By Trust. 1996. Painted chess pieces on chess board.
  • Philips, Tom. A Humument. Thames and Hudson 1980. Print.
  • Rauschenberg, Robert. Erased de Kooning Drawing. 1953.
  • Solakov, Nedko. A Life (Black and White). 1998. Performance.
  • Tone, Yasunao. Solo for Wounded CD. Tzadik, 1997. CD.
  • Walsh, Dan. Garfield Minus Garfield. www.garfieldminusgarfield.net. 2008. Webcomic.
  • Wolf, Uljana and Christian Hawkey. Sonne From Ort. Kookbooks 2013. Print.
  • Woodgate, Augustina. The Times Atlas of The World (Dust Diptych). 2012. Collected dust from sanded World Atlas (515 pages), Walnut frame.
TRANSLATING/MUTATING
  • Apple, Betty. 超脫國歌 教學版 Cha twat gringo, 2015, Video.
  • Baggs, Amanda. In My Language. 2007. Video.
  • Blas, Zach. Fag Face Mask. 2012.
  • Calle, Sophie. Take Care of Yourself. 2007.
  • Davis, Brian J. Yesterduh. 2006. Music.
  • de Vega, Mario. Mexican National Anthem. 2012.
  • Ivekovic, Rada. “On permanent translation (We are being translated)”. Trans. John Doherty. http://eipcp.net/transversal/0606/ivekovic/en
  • Laric, Oliver. Versions. 2009, 2010, 2012. Video
  • Lee, Mingwei. The Stone Journey. 1964. Stone and bronze.
  • Salavon, Salavon. Amalgamations
  • Schorkhuber, Christine and Alfred Grubbauer. Stille Post. 2008. Audio Installation.
  • Wu Tsang. Shape of a Right Statement. 2008. Video
RE-CONTEXTUALIZING/RE-MYTHOLOGIZING
  • Deacon, Destiny. Eva Johnson, writer. 1994
  • Hinkle, Kenyatta A.C. Kentifrica. 2011-present
  • Hinkle, Kenyatta A.C. The Uninvited. 2012.
  • Kelley, Mike. Kandor City. 2000-2011.
  • De Middel, Cristina. Afronauts. 2014. Film.
  • Munroe, Lavar. BIG C: Goddess of Coke (Heavens’ Dust). 2012.
  • Perret, Mai-Thu. The Crystal Frontier. 1999-present
  • Ruga, Athi-Patra. The Future White Women of Azania Saga. 2014.
  • Ruga, Athi-Patra. Queens in Exile 2015-2017. 2017.
  • Satterwhite, Jacolby. Reifying Desire 6. 2013. Video.
  • Sibande, Mary. The Purple Shall Govern. 2014.
  • Smith, Rowan. No Everything. 2014.
  • Williamson, Marisa. Hemings in Paris. 2015. Film.
  • Williamson, Marisa. Hemings & Hawings: A Postmodern Talk Show. 2015. Video.
  • Williamson, Marisa. What Would Sally Do?. 2013.
  • Wu Tsang. Duilian. 2016. Film.
credits

Made by Stef Kors, Titus Knegtel, Victoria Douka-Doukopoulou with the kind support of the Creative Industries Fund NL. For the production of Poetics and Politics of Erasure, oneacre.online would like to thank: LhGWR gallery, George Knegtel, PublishingLab and Jake Faber.

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